
By the end of the seventies, Malcolm had made himself a household name, not so much the result of the edgy clothing boutique he ran with then-girlfriend and fellow fashion enthusiast Vivienne Westwood, but because of his affiliation with The Sex Pistols. Malcolm used the band as a creative outlet and orchestrated outrageous publicity stunts that turned jolly ol’ England upside down. He and his band, with their filth! and their fury! were considered a national embarrassment by many, but to a generation of bored and impressionable youth, they were absolutely bloody brilliant.
The Pistols self-destructed before the end of the decade, to no one’s great surprise. A few years later the film The Great Rock n’ Roll Swindle was released, a mocumentary about the Pistols featuring Malcolm as the band’s puppet master/great manipulator – a perspective that the band, especially front man John Lydon, didn’t share at all. He continued to manage bands through the 80s – Adam and the Ants, Bow Wow Wow and The New York Dolls – and put out quite a bit of solo material over the years, but it was his association with The Sex Pistols, and what they brought to the scene – disillusionment, anarchy, the voice of a generation and an undisputed influence in pop, punk and alternative music – that put him on the map.
Malcolm died yesterday in Switzerland after a lengthy battle with cancer. He was 64.
Rest in peace, McLaren. Tonight, I will salute you by spinning my swirly pink Pirates of Destiny LP, watching my copy of The Great Rock n’ Roll Swindle on VHS and piercing my lip with a rusty safety pin.